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How The Chandelier Has Changed Status and
Usage Over Time.


Chandeliers are general lighting fixtures that can provide sparkle and style to rooms and entryways. They are also used in bedrooms, foyers, over a living room furniture grouping, or over a piano.

Some are designed with down lights or use shades to provide task lighting for homework, reading or cooking. Chandeliers are available in both incandescent and tungsten-halogen models. The addition of a dimmer control allows you to alter the intensity of the light to suit your mood or time of day.

The earliest chandeliers, of which very few survived the destruction of the Reformation in the sixteenth century, were to be found lending flickering light to the cavernous interiors of medieval churches and abbeys across Europe. The first chandeliers in private homes hung only in the palaces and mansions of the supremely wealthy and powerful. Apart from a guttering taper or the dim glow of firelight, illumination after sunset was largely beyond the means of most.

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The form taken by these early chandeliers was usually a wooden cross or a more sophisticated ring or crown of bronze or brass, with metal prickets — sharp points — on to which wax candles were pushed. These Romanesque or Gothic styles were to experience a resurgence of popularity in the nineteenth century. Then came the curly-armed brass forms, with which we are familiar from the exquisite Dutch and Flemish paintings of the fifteenth, sixteenth, and seventeenth centuries. From van Eyck through Dou to Vermeer, chandeliers are shown hanging in the homes of the prosperous merchant classes.

Pretty and curvaceous glass chandeliers began to be made on the Venetian island of Murano around 1700. At the same time, the cut-glass or lead-crystal chandelier emerged in England and across Europe, a consequence of advances in glassmaking technology, notably in the glass houses of London. At first these types of glass chandelier aimed to emulate the scintillating glamour of early rock-crystal chandeliers that were to be found only in the homes of the fabulously rich. The great age of the chandelier was reached in the eighteenth and nineteenth centuries, when lead crystal concoctions sparkled and shimmered in ballrooms and drawing rooms across Europe and America.

These chandeliers were more than mere lighting appliances: they were works of art.  Styles changed, from the light-as-air romanticism of Parker's neoclassical creations, with their tapering arms and delicate beaded necklaces, to the solid magnificence of the Regency tent-and-bag or tent-and-waterfall forms. What did not change was the social significance of these objects. The chandelier was always an expression of status.

Traditional forms of glass chandelier remained popular into the early twentieth century, partly because the alternatives in interior decoration — whether Arts and Crafts, Art Nouveau, Art Deco, or Modernism generally opted for other forms of lighting. Although Modernism produced a few lighting fittings that can justifiably be called chandeliers in that they use multiple bulbs, fragmenting light for effect, on the whole these movements preferred pendant lights with fabric, metal, wood, or glass shades.

Apart from matters of personal taste, probably the only constraint on our choice of interior decorating style today, and of the chandelier to go with it, is budget. In the past, however, social context, status and money went hand in hand, dictating the appearance and location indeed the very existence, of each chandelier produced with such painstaking care.

Online Chandelier Articles

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